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Vini Jwenn Mwe “Siwèl” nan bon mamit, e mizik sa depi 2004. Gifrants: rhythm guitar and vocals; Patrick Mottaz, lead guitar; Jane Wang, upright bass, Djudju, percussion.

Pour lire ce texte en français, cliquer ce lien ci-dessous + Mereng Damou Pou Ayiti To read in English, click the link below: + Mereng Damou Pou Ayiti Ayisyen pa selebre 200 zan Endepandans peyi Dayiti e se te byen … [more]

I believe that it is more than time when most Haitian professional musicians have to start writing the scores of their music so the latter can be preserved better. Also, it is much easier to share their knowledge this way. … [more]

Mwen kwè nan jefò k ap fèt pou montre ti moun mizik li enpòtan pou ti moun Ayisyen yo, pitit fanmi mwen yo, jwe tou mizik ki egziste pou ti moun piti ann Ayiti. Se konsa mwen aranje kèk nan … [more]

Yep! For four years, I did play Voodoo Jazz with extremely talented musicians–Jimmy Daniel, on drums. I took him to Haiti to learn about our music and he fell in love with it; Jacqz Vincent on keys–teacher at New School … [more]

It’s all about love I feel deeply in my heart–love for country, love for my wife, love for my children, love for my family, love for my friends and love for you all. It is love for music and love … [more]

I have been trying and I keep trying. I’m thriving to show how we can explore Haitian music in taking into account the many ways the Haitian diaspora is blending Haitian culture and music in their new adopted countries. I, … [more]

This is the 7th part of the longest piece I have ever written for a string quartet. The whole piece lasts about 1 hour and 43 minutes. If music is the language of the soul, it is also one of … [more]

Je ne dirai jamais que je suis un poète. Toutefois, j’essaie de polir mes textes pour les rendre poétiques. A travers les années, je me suis efforcé de montrer la beauté de la langue Créole en embrassant non seulement son … [more]

Nos déboires, nos souffrances terribles, nos luttes interminables, nos déceptions en tant que peuple ont fini par causer un traumatisme collectif lequel semble paralyser même les plus braves parmi nous. En tant qu’artiste Haïtien, je me suis donné le devoir … [more]

Le rythme “yanvalou” est l’un des rythmes le plus célébré dans notre folklore et dans notre musique. La sensualité et la grâce dégagées dans la danse issue de ce dernier reflètent aussi l’exaltation des mélodies inspirées par les compositeurs et … [more]

My determination to explore Haitian music and to express with the best of my abilities defines, besides my faith, the reason of my existence down here. Music is a gift I have received from God, my Father, as He anchors … [more]

Here are two examples where the “natif” concept is in full effervescence. First, the link to the chart of “Fonde.” Click on the title in red below in order to see the scores. Fonde The “play” button to listen to … [more]

I had a great privilege to meet with Makarios in 1990. My very longtime friend Rigaud Simon introduced us. It was with great pleasure that he came to the recording sessions of my “Rara Mwe” project produced by Robert Aaron … [more]