4- Konpozant–a new term in Haitian music
5- Notes and notations on the slashed chord
6- Use of the ♯9 chord
7- ii, V, I progression in Haitian music
8- Camouflage
10- Moving “vaksin”
11- The ♭5
12- The “natif” concept: an authentic alternative
13- Subtle structure and modulation
14- Another good example of “Konpozant”
15- Fooling around with the “sus4”
16-The V, IV, I, i progression
17-Chordal Formula
18-Romancing the 7th
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