Another good example of “Konpozant”

j) The choice of those chords creates a close harmony and a “pedal illusion.” Since the “natif” concept evolves around the movement and intervals of the “vaksin”, our interpretation of the chords will follow that approach. The “E” and “A” notes are pretty constant. The “G” and “B” are in fact part of the “G-B-E” triad. I have omitted the ‘E” in order to have more bottom, create a better percussive effect and emphasize more the high notes of the phrasing.

In order to see the scores clearly, click on them and you may enlarge as you please.

Yon Lanmou Fou

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